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Oscar Durand

His Artistic
Heritage
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Science and Art have a lot in common.
Take one tiny human cell; it not only contains the DNA that is the
essence of who we are, but it also contains the genetic makeup of those
who've gone centuries before us. In the same way, a masterful work of
art is the culmination of an artist's life's experiences, his emotions,
his ideas, creativity and most importantly, the knowledge that he gains
through studying masters of art. Oscar
Durand’s paintings are uniquely his own, yet his sense of design and
technique is based on the solid foundation of artistic knowledge that
has been handed down to us embedded in the timeless works of such
masters as Carravaggio, Vermeer and Rembrandt.
Many artists can recall a single event, usually in childhood, where the
spark of what is called talent is ignited. For Oscar, it was during a
visit to the Currier Gallery of Art in Manchester, New Hampshire. He was
just 14, but upon viewing an original moody but luminescent landscape by
the masterful Rembrandt, he experienced an awakening and compelling
recognition of his God - given talent. At that moment he understood that
painting would be his life’s career.
As a young adult, Oscar searched for an institution
that could additionally train him in the techniques used by the old
masters. Unfortunately, none existed at that time. So he set out to
visit the museum of fine Arts in Boston to study master works of fine
art first hand. This was an important step to his visual understanding
because the original painting's luminosity and brushstrokes cannot be
understood when seen on the pages of a book. Oscar continued to study
the paintings at the museum until he learned every technique that the masters
achieved. At the same time, he naturally developed his own style.
Richer colors and increased luminosity is how Oscar
enhances his paintings. He employs the sense of atmosphere along with texture to
create mood and emotion for the viewer. Oscar uses the effect of light
called “Chiaroscuro” to emphasize the paintings center of interest (the
part of the painting that he wants to make most important.) This idea of
using light to bring out the center of interest enjoys a long history in
classical art.
Oscar was privileged to paint a Memorial portrait of President John F
Kennedy for the J.F.K. Civic Center in Lowell, Massachusetts; As well
as a portrait of General George S. Patton which hangs in the hall of
flags at the Lowell Memorial Auditorium in Lowell, Massachusetts. Other
Corporate collections include the portrait of Mayor Pariseau that hangs
at the City Hall of Manchester NH, and also portraits of William
Hamilton, Fred French, and William Bushnell, all presidents of the
former Amoskeag savings bank. The Vietnam Memorial painting which
hangs at the State Armory of NH. Oscar's paintings grace the walls of
many collections, both Corporate and Private throughout the United
States ,including Hawaii ,Alaska, Canada, England and Puerto Rico.
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Galleries and Shows
2008
Three Man
Show, Tilting At Windmills Gallery, Manchester Center, Vt.
2005 One Man Show, Tilting at Windmills Gallery,
Manchester Center, Vt.
2003 One Man Show, Tilting At Windmills Gallery, Manchester Center, Vt.
2001 One Man Show, Tilting At Windmills Gallery, Manchester Center, Vt.
1999 Tilting at Windmills Gallery. Manchester Center, Vermont
1998 Group Show Peel Gallery of Fine Arts. Danby Vt.
1998 Richard R. Gandy Gallery on the web of
Contemporary Realism
1996 Three Man Show. Peel Gallery of Fine Arts. Danby, Vt.
1996 Robert Wilson Gallery. Nantucket, Ma.
1994 Wilson Gallery. Newbury St.. Boston, Ma.
1993 Published. The William and Mary Review.. Williamsburg, Vi.
1991 Two Man Show. Peel Gallery of Fine Arts. Danby, Vt.
1989 Group show.. Peel Gallery of Fine Arts. Danby, Vt.
1989 Margaret Fitzhugh Brown Memorial Award. North Shore Art Association
1988 Peel Gallery of Fine Arts. Danby, Vt.
1985 Deming Art Gallery. New London, NH
1984 The Robert B Jenks Award 64th National
Exhibition of Paintings, Me.
1984 Art Research Associates. South Hamilton, Ma.
1983 The Robert B Jenks Award 63rd National Exhibition of Paintings.
1982 Lazare Barth Memorial Award, North Shore Art Association.
1982 North Shore Art Association. Gloucester, Ma.
1973 One man show. Whistler Parker House
Gallery, Lowell, Ma.
1971 Opened studio and gallery. Newbury St. Boston, Ma.
1971 Copley Society. Boston, Ma.
1970 Opened studio and gallery. Ogunquit, Me.
1969 Board of directors. New Hampshire Art Association
1968 New Hampshire Art Association
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The Lantern
The Lazare Barth Memorial Award

Companions
The Margaret Fitzhugh Brown Memorial Award
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